Subsequently, I assigned the winds and strings planets and asteroids, guided by the mythological characteristics of the Greco-Roman gods they represent. To the percussions I entrusted the twelve signs of the zodiac and the prepared piano I turned it into the North Node of the Moon, which is the northern point of the sky where the lunar trajectory crosses the orbit of the earth.

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Everything was going according to plan until I felt compelled to violate the previous plan for the sake of the music, which doomed it to oblivion, given the obvious futility of a violated previous plan. However, I liked the subject of astrology, so I decided to analyze what I had already composed and recorded from the point of view not of a hypothetical equinox, but from my own astrological chart. To do this, I sought the help of a professional astrologer to interpret my birth chart with an emphasis on looking for the relationships between the angles, planets and signs that I put together mythologically, and to see if they were indeed related in my birth chart astrologically. I then renamed the movements, choosing one character from each using the fingerprinting system, and finally I commissioned her to investigate the relevance of the role played by each character chosen by fingerprinting.

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The result was surprising. All the aspects that the astrologer pointed out have, in fact, a musical counterpart; positive or supportive aspects between the stars, such as trines and conjunctions, which when interpreted in the manuscript result in trios and duets between the instruments, or negative or confrontational aspects, such as oppositions or quadratures, which are found as contrasting counterpoints or the influence attributed to the presence of a certain planet in a certain sign that fits perfectly with the character of the solo played by the corresponding instrument... Given the abundance of coincidences, I chose to give the benefit of the doubt and consider them as possible causalities.

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Perhaps the influence of the stars in our lives plays a determining role to the extent of dictating invisible decisions in our creative processes. If the surrounding energies at the moment of birth can define the destiny of a composition many years later, then there are no coincidences, then, neta, lo nato, is the neta!